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Catoegory "EXHIBITION"

Videotage

Videotage is a leading non-profit organisation in facilitating, promoting and presenting new media art in Hong Kong. Since 1986, Videotage has developed itself from an umbrella for media artists to a media art and culture network for cross-disciplinary cultural productions and international exchange of ideas and knowledge.
fuse:: artist-in-residence: Chloe Cheuk – Every Every


Language: Cantonese/English


Free admission


Tags: FUSE

 

FUSE駐場藝術家: 卓思穎《每每》

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開幕酒會:2月13日7時(星期五)
展覽日期:2月13日至3月2日(星期二至星期日)
開放時間:上午11時至下午7時

藝術家分享:2月15日(星期日)下午2-4時
嘉賓:梁展峯先生

活動地點:錄映太奇 九龍土瓜灣馬頭角道63號牛棚藝術村13號

查詢 Enquiry: info@videotage.org.hk / 2573-1869

錄映太奇的FUSE駐場計劃將展出香港媒體藝術家卓思穎最新的創作。《每每》包含一系列錄像與動力裝置作品,意指同樣的事情不只發生一次,我們的生活常常陷入不斷回旋,卻無甚進展的死胡同之中。利用影像及動力裝置所營造的離合與抗衡,作品呈現出藝術家面對香港佔領運動的鬱悶與不安。此次創作亦是卓氏對自身經歷的審視。她把曾在運動中與她擦身而過的物件如玻璃窗,劍球,車輪重新拼湊,釋放出持續受到壓抑的虛空和無力感。雖然作品取材自無可避免的政治問題,但卓思穎最關注的是如何捉住物件根本意義。運用電子裝置,錄像和剪接,她反覆把玩該物件的可塑性并思量其對於自身與社會的意味。

展覽的其中一件錄像作品「正等待下一輪」以城市化的一個標誌產物-車輪蠶食鯨吞為主題。藝術家在運動清場后重返街頭二十多天,紀錄每個車輪完全遮蔽馬路上遺留下來的抗議痕跡。她利用車輪把佔領區重新連接,不斷地重組,然後再度分離。「如果那刻來了」是一個錄像機械裝置。劍球被拋到空中時把夾鐵絲玻璃窗打開了又關,似是毫不關己的權力挑戰,卻又幻想劍球能跳出窗外的一剎。持續的,卻沒有結果。

::關於藝術家::
http://chloecheuk.com/

卓思潁於2012年香港城市大學創意媒體學院畢業。創作媒介涉獵裝置、互動媒體、攝影和錄像。她專注以情感連結動力裝置及影像,探究平凡物品或媒材之間相碰產生的對話和多重意涵。理智和情感同時揉合在她的作品裡。

她的個人和合作作品曾於本地畫廊及海外藝術節展出,如ISEA國際電子藝術研討會(阿聯酋-杜拜)。作品曾獲得「香港獨立短片及錄像比賽」特別表揚獎,並於林茲電子藝術中心和林茲電子藝術節(奧地利)展出。隨後獲Burger COLLECTION和歐盟文化中心合作組織支持在該中心的未來電子藝術實驗室進行駐留計劃。現為聲音掏腰包「藝術家支援計劃」2014-15 年度獲選支援藝術家。

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fuse:: artist-in-residence: Chloe Cheuk <<Every Every>>

Opening Reception: 7:00pm, 13 Feb (Fri)
Exhibition Period: 13 Feb – 2 Mar (Tue – Sun)
Opening Hours: 11am -7pm

Sharing: 15 Feb 2-4pm
Guest: Jeff Leung
(Conduct in Cantonese)

Venue: Videotage
Unit 13, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon

Enquiry:
info@videotage.org.hk
(852) 2573 1869

Videotage is pleased to present the exhibition Every Every by the FUSE resident Chloe Cheuk. Every Every is a series of video and kinetic installations to extract and abstract the recurring pattern of our day-to-day existence. Cheuk sees life as a close-ended spiral, which oftentimes deceives us into the illusion of linear progress, whereas we are actually going round and round. The work particularly draws upon Cheuk’s distress about the recent occupying movement in Hong Kong where the recurring pattern is separation – union – confrontation. Cheuk is tempted to translate the pattern in visual and mechanistic language, with the seemingly innocuous objects such as the windows, kendamas and wheels that caught her attention at the site. By so doing, she slowly releases the empty and helpless feelings due to constant repression. Despite the work’s political context, what Cheuk concerns most is the fundamental meaning of an object – its mutability and its implications for individuals and society, and her tools for investigation are electronic device, video recording and editing.

One of the three exhibited pieces “Waiting for Another Round” is about the wheel, a symbol of the ruthless encroachment of urbanization. After the clearance of occupied sites, Cheuk patrolled the streets and documented the process of wheels devouring every inch of the remaining trace of the protest over 20 days. As the wheels roll on, different protest sites join together and fall apart endlessly. “If the Moment Came” is a video kinetic installation. The ball of kendama is thrown up, hit and open the wired glass window, which soon closes again. Fantasizing about the moment of breaking free from the forces, the ball hits the window persistently, but in vain.

::About Artist::
http://chloecheuk.com/

Chloe Cheuk is a media artist based in Hong Kong. She received a BA (Hons) in Creative Media at the School of Creative Media, City University of Hong Kong. Combining symbolic metaphors with technological media, her works
profoundly explore connections between common objects and their encounter to bring about dialogue and multiple implications unconsciously influenced by everyday life.

Her individual and collaborative works have been selected to showcase in galleries and overseas arts festivals including ISEA Dubai (United Arab Emirates) and Ars Electronica Festival (Austria) followed by an Artist-in-Residence program in Ars Electronica Futurelab supported by EUNIC and Burger COLLECTION. She also received Special Mention Award at the 19th ifva Festival (Interactive Media Category). Currently, she has been selected as supported artist of year 2014-15 by soundpocket (HK) to explore sound art with her existing art practice.

john_cage_key_12
Soundtracking#JohnCage4’33”
(12 Noon-10 pm Everyday)

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